Salvador Dali
"El verdadero pintor es aquel que es capaz de pintar escenas extraordinarias en medio de un desierto vacío. El verdadero pintor es aquel que es capaz de pintar pacientemente una pera rodeado de los tumultos de la historia." Salvador Dalí.
Salvador Dalí i Domènech
Figueres, 11 de mayo de 1904 - 23 de enero de 1989
Obras Pictoricas
Periodo Temprano 1910-1927
Periodo Surreal 1928-1935
Periodo Surreal 1935-1940
Periodo Clasico 1941-1951
Periodo Clasico 1951-1959
Periodo Clasico 1960-1972
Periodo Calsico 1972-1983
Periodo Temprano 1910-1927
Landscape Near Figueras, 1910
Dutch Interior, 1914
Fiesta in Figueres, 1916
Landscape Near Ampurdan, 1914
Crepuscular Old Man, 1918
Duck, 1918
Portrait of Lucia, 1918
Portrait of a Gypsy, 1919
Portrait of Mr. Pancraci, 1919
Self-Portrait in the Studio, 1919
The Tartan ,1919
Portrait of Jose M. Torres, 1920
Portrait of the Artist's Mother, Dofia Felipa Dome Domenech De Dalí, 1920
Portrait of the Violoncellist Ricardo Pichot, 1920
Saltimbanques, 1921
Two Gypsy Lads, 1921
Fair of the Holy Cross - The Circus, 1921
Festival of St. Lucia At Villamalla, 1921
Portrait of Jaume Miravidles, 1922
Self-portrait with the Neck of Raphael, 1921
Self-Portrait, 1921
*Este retrato, realizado cuando Dalí tenía como unos diecisiete años,
muestra su actitud interior y su potencialidad.
Voyeur, 1921
Cadaqués, 1922
Still Life - Fish, 1922
Bathers of Llaner, 1923
Crystalline Still Life, 1923
Cubist Self-Portrait, 1923
Figueras Gypsy, 1923
Nude in a Landscape, 1923
Portrait of My First Cousin, 1923
Anna Maria, 1924
Bather, 1924
Plant, 1924
Portrait of the Artist's Father, 1925
Female Nude, 1925
Figure at a Window, 1925
*Paisajes, reflexiones en el vidrio y una persona.
La luz en la parte posterior de la muchacha (Ana María, su hermana)
resalta una de las formas preferidas por Dalí.
El paisaje visto por la ventana es la bahía de Cadaqués,
donde Dalí solía pasar temporadas durante el verano.
García Lorca conservó particulares recuerdos de la vista desde esa ventana al despertarse,
describió su estancia en Cadaqués, como maravillosa, como un hermoso sueño.
Salvador y Ana María eran muy unidos, particularmente a raíz de la muerte de su madre.
Ana María fue su única modelo hasta que Gala la sustituyese en 1929.
Luego que Ana María en un libro describiera a su hermano de una manera que a éste no le agradó,
Dalí creó otra versión de este cuadro con el título
“Joven virgen sodomizada por su propia castidad”(1954).
Nude in the Water, 1925
Pierrot Playing the Guitar, 1925
Girl from the Back, 1925
* Nuevamente al igual que en la “Figura asomada a la ventana” (1925),
Dalí muestra a su hermana Ana María de espaldas.
Esta vez la muchacha está sentada, más relajada;
y aunque su rostro no aparece en la imagen, su mirada es la idea principal de la pintura.
Las mismas tonalidades de la piel y el vestido de Ana María,
son empleados por Dalí para los techos y las paredes de los edificios.
Still Life with Moonight, 1925
Thought, 1925
Venus with Cupids, 1925
Venus and a Sailor, 1925
Barcelonese Mannequin, 1927
Periodo Surreal 1928-1935
Inagural Gooseflesh, 1928
The Putrefied Donkey, 1928
Senicitas, 1928
* Fue pintado durante su servicio militar, es una colección de recuerdos.
En relación con las moscas, dijo,
“...la dosis de acción que los Dioses emplean para indicar a los hombres,
la vía hacia uno de las leyes más intrincadas del universo”
Symbiotic Woman-Animal, 1928
The First Days of Spring, 1929
Imperial Monument to the Child-Woman, 1929
Lugubrious Game, 1929
Portrait of Paul Eluard, 1929
The Ghost of the Evening, 1930
Invisible Sleeping Woman, 1930
Premature Ossification of a Railway Station, 1930
Paranoiac Woman-Horse, 1930
The Average Bureaucrat, 1930
The Hand, 1930
Vertigo, 1930
William Tell, 1930
Gradiva Finds the Anthropomorphic Ruins, 1931
The Old Age of William Tell, 1931
Partial Hallucination. Six apparitions of Lenin on a Grand Piano, 1931
The Persistence of Memory, 1931
*Aquí, Dalí se inicia con sus famosos relojes blandos.
El decía que no eran otra cosa que el queso Camembert del espacio y el tiempo,
suave, extravagante, solitario y paranoico-crítico. En este autorretrato,
un Dalí similar al que aparece en “El gran masturbador” (1929),
se encuentra inmóvil y con la lengua afuera.
Aparte de los insectos, se encuentra aislado en un paisaje árido y caluroso.
En estas condiciones, la percepción del tiempo y del espacio, y el comportamiento de los recuerdos,
adquieren formas blandas que se ajustan a las circunstancias.
Veinte años más tarde en “La desintegración de la persistencia de la memoria” (1952),
Dalí descompone estas imágenes incorporando el conocimiento de
las consecuencias del uso destructivo de la energía atómica.
Shades of Night Descending, 1931
The Birth of Liquid Desires, 1932
Eggs on the Plate Without the Plate, 1932
Memory of the Child-Woman, 1932
Ordinary French Loaf with Two Fried Eggs Riding Without a Plate, 1932
Portrait of Gala, 1932
Surrealist Object Gauge of Instantaneous Memory, 1932
The Veiled Heart, 1932
The Enigma of William Tell, 1933
Gala and the Angelus of Millet Preceding the Imminent
Arrival of the Conical Anamorphoses, 1933
Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
*El pensaba que si le gustaban las chuletas de cordero y le gustaba su esposa,
entonces Porque no habría de pintarlas juntas?
Geological Destiny, 1933
The Architectural Angelus of Millet, 1933
*La pareja en “El Angelus” de Jean-François Millet,
viene transformada en dos grandes rocas blancas,
con el joven Dalí y su padre debajo de la piedra masculina y la piedra femenina usando una muleta.
Dalí señala que si bien la piedra masculina de la izquierda pareciera ser la dominante,
es en este caso la piedra femenina la agresora,
sacando parte de si misma para hacer contacto físico con el varón.
Myself at the Age of Ten When I Was the Grasshopper Child, 1933
Necrophilic Fountain Flowing from a Grand Piano, 1933
Soft Watches, 1933
The Triangular Hour, 1933
Atavistic Vestiges After the Rain, 1934
*Aquí un hombre y un niño (posiblemente Dalí y su padre),
están caminando y a punto de pasar debajo de una roca que no parece muy estable.
El padre, sin soltar al niño que lo conduce, le está señalando algo. Por otra parte,
esta roca tiene mucho parecido con la que aparece en
“El Angelus arquitectónico de Millet” (1933), y que representa a una figura femenina.
Cardinal, 1934
Enigmatic Elements in the Landscape, 1934
Figure and Drapery in a Landscape, 1934
The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934
Hairdresser Depressed by the Persistent Good Weather, 1934
Masochistic Instrument, 1934
*Además de los relojes, Dalí le quitaba la rigidez a muchos objetos.
Lo hacía con frecuencia con instrumentos de cuerdas,
como en este caso con el violín que sostiene la mujer.
Otros elementos como el árbol de ciprés herido,
el estilo de la ventana y el busto de mujer,
pueden ser encontrados en otras obras del pintor.
Meditation on the Harp, 1934
Moment of Transition, 1934
The Signal of Anguish, 1934
Surrealist Poster, 1934
The Weaning of Furniture-Nutrition, 1934
Archaeological Reminiscence of Millet's Angelus, 1935
*Basado en el cuadro “El Angelus” del pintor francés Jean-François Millet (1814 - 1875).
Dalí pensaba que había algo escondido en la tela debido a un sentimiento de angustia presente.
También creía que el tema no era sólo el ánimo reverente de la oración si no que además había una represión de tipo sexual.
En 1963, una radiografía reveló que Millet había pintado entre los campesinos que rezaban, el ataúd de un niño.
Esta parte fue sobre pintada por el artista para hacer más vendible el cuadro.
Periodo Surreal 1935-1940
Paranoiac Visage, 1935
Paranonia, 1936
The Angelus of Gala, 1935
The Horseman of Death, 1935
The Ship, 1935
The Anthropomorphic Cabinet, 1936
The Ants, 1936
Apparition of the Town of Delft, 1936
The Pharmacist of Ampurdan in Search of Absolutely Nothing, 1936
The Dream Places a Hand on a Man's Shoulder, 1936
Geological Justice, 1936
The Great Paranoiac, 1936
Head of a Woman in the Form of a Battle, 1936
The Man with the Head of Blue Hortensias, 1936
Morphological Echo, 1936
Soft Construction with Boiled Beans - Premonition of Civil War, 1936
Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History, 1936
Sun Table, 1936
White Calm, 1936
Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra, 1936
Average Pagan Landscape, 1937
Autumn Cannibalism, 1936
Cannibalism of the Objects, 1937
Sleep, 1937
The Invention of the Monsters, 1937
The Burning Giraffe, 1937
Metamorphosis of Narcissus, 1937
Palladio's Thalia Corridor, 1937
Perspectives, 1937
Swans Reflecting Elephants, 1937
Apparition of Face and Fruit Dish on a Beach, 1938
Enchanted Beach with Three Fluid Graces, 1938
Impressions of Africa, 1938
The Infinite Enigma, 1938
Invisible Afghan with the Apparition on the Beach of the Face of
Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
Spain, 1938
The Transparent Simulacrum of the Feigned Image, 1938
Actress Betty Stockfeld Is Metamorphosed into a Nurse, 1939
Baby Map of the World, 1939
Bacchanale, 1939
Ballerina in a Death's-Head, 1939
The Enigma of Hitler, 1939
Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat), 1939
Metamorphosis of the Five Allegories of Giovanni Bellini, 1939
Philosopher Illuminated by the Light of the Moon and the Setting Sun, 1939
Shirley Temple, 1939
Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
Group of Women Imitating the Gestures of a Schooner, 1940
Lady Louis Mountbatten, 1940
Old Age, 1940
Periodo Clasico 1941-1951
Car Clothing, 1941
Costume for a Nude with a Codfish Tail, 1941
Invisible Bust of Voltaire, 1941
Ruin with Head of Medusa and Landscape, 1941
Soft Self-portrait with Grilled Bacon, 1941
The Flames, They Call, 1942
Melancholy, 1942
Saint George and the Dragon, 1942
Composition (Two Harlequins), 1942
Allegory of an American Christmas, 1943
Geopoliticus Child Watching the Birth of the New Man, 1943
The Poetry of America, 1943
Portrait of Ambassador Cardenas, 1943
Portrait of Mrs. Harrison Williams, 1943
Princess Arthchil Gourielli (Helena Rubinstein), 1943
One Second Before Awakening from a Dream Caused by the
Flight of a Bee Around a Pomegranate, 1944
Giant Flying Demi-Tasse with Incomprehensible
Appendage Five Meters Long, 1944
Sentimental Colloquy, 1944
Autumn Sonata, 1945
Basket of Bread, 1945
The Eye, 1945
Fountain of Milk Spreading Itself Uselessly on Three Shoes, 1945
Napoleon's Nose, 1945
Portrait of Mrs. Isabel Styler-Tas, 1945
Resurrection of the Flesh, 1945
Three Apparitions of the Visage of Gala, 1945
Christmas, 1946
Nude in the Desert Landscape, 1946
The Temptation of Saint Anthony, 1946
Battle Over a Dandelion, 1947
Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
The Three Sphinxes of Bikini, 1947
Wheat Ear, 1947
The Elephants, 1948
Portrait of Mrs. Mary Sigall, 1948
Leda Atomica, 1949
The Madonna of Port Lligat, 1949
Four Armchairs in the Sky, 1949
Sir James Dunn Seated, 1949
Dalí at the Age of Six, 1950
Dalí's Moustache, 1950
Landscape of Port Lligat, 1950
Landscape of Port Lligat with Homely Angels and Fisherman, 1950
Christ of Saint John of the Cross, 1951
Landscape with Cavalier and Gala, 1951
Portrait of Colonel Jack Warner, 1951
Portrait of Katharina Cornell, 1951
Portrait of Mrs. Jack Warner, 1951
Periodo Clasico 1951-1959
The Queen of the Butterflies, 1951
Raphaelesque Head Exploding, 1951
The Angel of Port Lligat, 1952
Asummpta Corpuscularia Lapislazulina, 1952
Eucharistic Still Life, 1952
Galatea of the Spheres, 1952
Madonna in Particles, 1952
Nuclear Cross, 1952
The Colossus of Rhodes, 1954
Crucifixion, 1954
Dalí Nude, in Contemplation Before the Five Regular Bodies
Metamorphized into Corpuscles, in Which Suddenly Appears the
Leda of Leonardo Chromosomatized by the Visage of Gala, 1954
The Disintegration of Persistence of Memory, 1954
Equestrian Fantasy - Portrait of Lady Dunn, 1954
The Lighthouse at Alexandria, 1954
Portrait of Gala with Rhinocerotic Symptoms, 1954
The Pyramids and the Sphynx of Gizeh, 1954
Soft Watch at the Moment of First Explosion, 1954
Statue of Olympic Zeus, 1954
Two Adolescents, 1954
Young Virgin Auto-Sodomized by Her Own Chastity, 1954
The Lacemaker (imitation of the painting by Vermeer Van Delft), 1955
The Last Supper, 1955
Paranoiac-Critical Study of Vermeer’s ‘Lacemaker’, 1955
Assumpta Canaveral, 1956
Fancy Costumes, 1956
The Infant Jesus, 1956
Living Still Life, 1956
The Motionless Swallow. Study for "Still Life - Fast Moving", 1956
Rhinocerotic Gooseflesh, 1956
The Skull of Zurbarán, 1956
Wine Glass and Boat, 1956
Butterfly Landscape (The Great Masturbator in a
Surrealist Landscape with D.N.A.), 1957
Celestial Ride, 1957
The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera), 1957
The Grand Opera, 1957
Red Orchestra, 1957
Rock 'n Roll, 1957
Sorcery - The Seven Arts, 1957
Dionysus Spitting the Complete Image of Cadaqués on the Tip
of the Tongue of a Three-Storied Gaudinian Woman, 1958
Meditative Rose, 1958
Metamorphosis of Hitler's Face into a Moonlit Landscape with Accompaniment, 1958
Portrait of Chester Dale and His Dog Coco, 1958
Portrait of Sir James Dunn, 1958
Religious Scene in Particles, 1958
The Discovery of America by Christopher Columbus, 1958
The Vase of Cornflowers, 1959
The Virgin of Guadalupe, 1959
Woman Undressing, 1959
Periodo Clasico 1960-1972
Birth of a Divinity, 1960
Birth of a Goddess, 1960
The Ecumenical Council, 1960
Female Seated Nude, 1960
Figure in the Shape of a Cloud, 1960
Gala Nude From Behind Looking in an Invisible Mirror, 1960
Hyperxiological Sky, 1960
Portrait of Mrs. Fagen, 1960
A Propos of the "Treatise on Cubic Form" by Juan de Herrera, 1960
San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin, 1960
The Servant of the Disciples at Emmaus, 1960
Leda's Swan, 1961
Mohammed's Dream, 1961
The Alchemist, 1962
The Sacred Heart of Jesus, 1962
St. George and the Dragon, 1962
Vision of Fatima, 1962
Desoxyribonucleic Acid Arabs, 1963
Fifty Abstract Paintings Which as Seen from Two Yards Change
into Three Lenins Masquerading as Chinese and as
Seen from Six Yards Appear as the Head of a Royal Bengal Tiger, 1963
Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love, 1963
Madonna with a Mystical Rose, 1963
Portrait of My Dead Brother, 1963
Landscape with Flies, 1964
Salvador Dali in the Act of Painting Gala in the Apothesis of the
Dollar, in Which One May Also Perceive to the Left Marcel
Duchamp Disguised as Louis XIV, Behind a Curtain in the Style
of Vermeer, Which is But the Invisible Though Monumental Face
of the Hermes of Praxiteles, 1965
Character Masquerading in Pinning Up a Butterfly, 1965
Portrait of Gala Against the Light, 1965
Laocoon Tormented by Flies, 1965
Portrait of Mrs. Ruth Daponte, 1965
The Railway Station at Perpignan, 1965
The Sun of Dalí, 1965
Moses and the Pharaoh, 1966
The Tunny Catch, 1967
Cosmic Athlete, 1968
Fisherman of Port Lligat Mending His Net, 1968
Mad Mad Mad Minerva, 1968
Tauromachia I - The Torero, the Kill, 1968
Hour of the Monarchy, 1969
The Swimming Pool in Port Lligat, 1969
Toreo Noir, 1969
The Dalinian Senyera, 1970
The Hallucinogenic Toreador, 1970
Portrait of John Theodoracopoulos, 1970
Caligula's Horse (Dalí's Horses), 1971
Ceiling of the Hall of Gala's Chateau at Pubol, 1971
The Second Coming of Christ, 1971
Gala's Dream (Dream of Paradise), 1972
Self-Portrait, 1972
Polyhedron. Basketball Players Being Transformed
into Angels (Assembling a Hologram - the Central Element), 1972
Radiators, Radiator-Covers, 1972
The Sleeping Smoker, 1972
Periodo Clasico 1972-1983
Space Eve, 1972
Gala’s Castle at Pubol, 1973
Hitler Masturbating, 1973
Las Galas of Port Lligat, 1973
Battle in the Clouds, 1974
Equestrian Portrait of Carmen Bordiu-Franco, 1974
Explosion of Faith in a Cathedral, 1974
Ruggiero Freeing Angelica, 1974
Unfinished Stereoscopic Picture, 1974
To Meli, 1974
Wounded Soft Watch, 1974
Gala Contemplating the Mediterranean Sea Which at
Twenty Meters Becomes the Portrait of Abraham
Lincoln - Homage to Rothko, 1976
Aurora's Head, After Michelangelo, 1977
Dalí Lifting the Skin of the Mediterranean Sea to
Show Gala the Birth of Venus, 1977
Fertility, 1977
The Happy Unicorn, 1977
Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light, 1977
Soft Monster in Angelic Landscape, 1977
Surrealist Angel, 1977
Allegory of Spring, 1978
The Harmony of the Spheres, 1978
Pierrot Lunaire, 1978
Woman with Egg and Arrows, 1978
Copy of a Rubens Copy of a Leonardo, 1979
In Search of the Fourth Dimension, 1979
The Prince of Sleep, 1979
Sleeping Young Narcissus, 1980
Amphitrite, 1981
Apparition of the Visage of Aphrodite of Cnide in a Landscape, 1981
Argus, 1981
Gala in a Patio Watching the Sky, Where the
Equestrian Figure of Prince Baltasar Carlos and
Several Constellations (All) Appear, after Velazquez, 1981
The Garden of Hours, 1981
Great Tapeworm Masturbator, Appears Behind Arcades, 1981
Hermes, 1981
Jason Carrying the Golden Fleece, 1981
Mercury and Argos, 1981
The Pearl, 1981
Reading. Family Scene by Lamplight, 1981
Ready-to-wear Fashion for Next Spring:
"Garlands, Nests and Flowers", 1981
The Road of the Enigma, 1981
Spanish Nobleman with a Cross of Brabant on His Jerkin, 1981
The Tower of Enigmas, 1981
Tower, 1981
After Michelangelo's "Moses", on the Tomb of Julius II in Rome, 1982
Architectural Contortion of El Escorial, 1982
Atmospherocephalic Figures, 1982
Exploded Head, 1982
Figure Inspired by the Adam of the Ceiling of the Sistine Chapel, 1982
Figure in the Water - After a Drawing by Michelangelo
for the "Resurrection of Christ", 1982
"Giuliano di Medici" by Michelangelo, Seen from Behind, 1982
Landscape with Hidden Image of Michelangelo's "David", 1982
Pieta, 1982
Mirror Women - Mirror Heads, 1982
Ole, 1982
Othello Dreaming Venice, 1982
Saint Sebastian, 1982
The Three Glorious Enigmas of Gala, 1982
Velazquez and a Figure, 1982
Velazquez Dying Behind the Window on the
Left Side Out of Which a Spoon Projects, 1982
Warrior, 1982
Fuentes:
http://www.salvador-dali.org/dali/es_biografia.html
http://www.virtualdali.com/index.html
http://www.3d-dali.com/dali_pinturas_analisis_interpretacion.htm
"El verdadero pintor es aquel que es capaz de pintar escenas extraordinarias en medio de un desierto vacío. El verdadero pintor es aquel que es capaz de pintar pacientemente una pera rodeado de los tumultos de la historia." Salvador Dalí.
Salvador Dalí i Domènech
Figueres, 11 de mayo de 1904 - 23 de enero de 1989
Obras Pictoricas
Periodo Temprano 1910-1927
Periodo Surreal 1928-1935
Periodo Surreal 1935-1940
Periodo Clasico 1941-1951
Periodo Clasico 1951-1959
Periodo Clasico 1960-1972
Periodo Calsico 1972-1983
Periodo Temprano 1910-1927
Landscape Near Figueras, 1910
Dutch Interior, 1914
Fiesta in Figueres, 1916
Landscape Near Ampurdan, 1914
Crepuscular Old Man, 1918
Duck, 1918
Portrait of Lucia, 1918
Portrait of a Gypsy, 1919
Portrait of Mr. Pancraci, 1919
Self-Portrait in the Studio, 1919
The Tartan ,1919
Portrait of Jose M. Torres, 1920
Portrait of the Artist's Mother, Dofia Felipa Dome Domenech De Dalí, 1920
Portrait of the Violoncellist Ricardo Pichot, 1920
Saltimbanques, 1921
Two Gypsy Lads, 1921
Fair of the Holy Cross - The Circus, 1921
Festival of St. Lucia At Villamalla, 1921
Portrait of Jaume Miravidles, 1922
Self-portrait with the Neck of Raphael, 1921
Self-Portrait, 1921
*Este retrato, realizado cuando Dalí tenía como unos diecisiete años,
muestra su actitud interior y su potencialidad.
Voyeur, 1921
Cadaqués, 1922
Still Life - Fish, 1922
Bathers of Llaner, 1923
Crystalline Still Life, 1923
Cubist Self-Portrait, 1923
Figueras Gypsy, 1923
Nude in a Landscape, 1923
Portrait of My First Cousin, 1923
Anna Maria, 1924
Bather, 1924
Plant, 1924
Portrait of the Artist's Father, 1925
Female Nude, 1925
Figure at a Window, 1925
*Paisajes, reflexiones en el vidrio y una persona.
La luz en la parte posterior de la muchacha (Ana María, su hermana)
resalta una de las formas preferidas por Dalí.
El paisaje visto por la ventana es la bahía de Cadaqués,
donde Dalí solía pasar temporadas durante el verano.
García Lorca conservó particulares recuerdos de la vista desde esa ventana al despertarse,
describió su estancia en Cadaqués, como maravillosa, como un hermoso sueño.
Salvador y Ana María eran muy unidos, particularmente a raíz de la muerte de su madre.
Ana María fue su única modelo hasta que Gala la sustituyese en 1929.
Luego que Ana María en un libro describiera a su hermano de una manera que a éste no le agradó,
Dalí creó otra versión de este cuadro con el título
“Joven virgen sodomizada por su propia castidad”(1954).
Nude in the Water, 1925
Pierrot Playing the Guitar, 1925
Girl from the Back, 1925
* Nuevamente al igual que en la “Figura asomada a la ventana” (1925),
Dalí muestra a su hermana Ana María de espaldas.
Esta vez la muchacha está sentada, más relajada;
y aunque su rostro no aparece en la imagen, su mirada es la idea principal de la pintura.
Las mismas tonalidades de la piel y el vestido de Ana María,
son empleados por Dalí para los techos y las paredes de los edificios.
Still Life with Moonight, 1925
Thought, 1925
Venus with Cupids, 1925
Venus and a Sailor, 1925
Barcelonese Mannequin, 1927
Periodo Surreal 1928-1935
Inagural Gooseflesh, 1928
The Putrefied Donkey, 1928
Senicitas, 1928
* Fue pintado durante su servicio militar, es una colección de recuerdos.
En relación con las moscas, dijo,
“...la dosis de acción que los Dioses emplean para indicar a los hombres,
la vía hacia uno de las leyes más intrincadas del universo”
Symbiotic Woman-Animal, 1928
The First Days of Spring, 1929
Imperial Monument to the Child-Woman, 1929
Lugubrious Game, 1929
Portrait of Paul Eluard, 1929
The Ghost of the Evening, 1930
Invisible Sleeping Woman, 1930
Premature Ossification of a Railway Station, 1930
Paranoiac Woman-Horse, 1930
The Average Bureaucrat, 1930
The Hand, 1930
Vertigo, 1930
William Tell, 1930
Gradiva Finds the Anthropomorphic Ruins, 1931
The Old Age of William Tell, 1931
Partial Hallucination. Six apparitions of Lenin on a Grand Piano, 1931
The Persistence of Memory, 1931
*Aquí, Dalí se inicia con sus famosos relojes blandos.
El decía que no eran otra cosa que el queso Camembert del espacio y el tiempo,
suave, extravagante, solitario y paranoico-crítico. En este autorretrato,
un Dalí similar al que aparece en “El gran masturbador” (1929),
se encuentra inmóvil y con la lengua afuera.
Aparte de los insectos, se encuentra aislado en un paisaje árido y caluroso.
En estas condiciones, la percepción del tiempo y del espacio, y el comportamiento de los recuerdos,
adquieren formas blandas que se ajustan a las circunstancias.
Veinte años más tarde en “La desintegración de la persistencia de la memoria” (1952),
Dalí descompone estas imágenes incorporando el conocimiento de
las consecuencias del uso destructivo de la energía atómica.
Shades of Night Descending, 1931
The Birth of Liquid Desires, 1932
Eggs on the Plate Without the Plate, 1932
Memory of the Child-Woman, 1932
Ordinary French Loaf with Two Fried Eggs Riding Without a Plate, 1932
Portrait of Gala, 1932
Surrealist Object Gauge of Instantaneous Memory, 1932
The Veiled Heart, 1932
The Enigma of William Tell, 1933
Gala and the Angelus of Millet Preceding the Imminent
Arrival of the Conical Anamorphoses, 1933
Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder, 1933
*El pensaba que si le gustaban las chuletas de cordero y le gustaba su esposa,
entonces Porque no habría de pintarlas juntas?
Geological Destiny, 1933
The Architectural Angelus of Millet, 1933
*La pareja en “El Angelus” de Jean-François Millet,
viene transformada en dos grandes rocas blancas,
con el joven Dalí y su padre debajo de la piedra masculina y la piedra femenina usando una muleta.
Dalí señala que si bien la piedra masculina de la izquierda pareciera ser la dominante,
es en este caso la piedra femenina la agresora,
sacando parte de si misma para hacer contacto físico con el varón.
Myself at the Age of Ten When I Was the Grasshopper Child, 1933
Necrophilic Fountain Flowing from a Grand Piano, 1933
Soft Watches, 1933
The Triangular Hour, 1933
Atavistic Vestiges After the Rain, 1934
*Aquí un hombre y un niño (posiblemente Dalí y su padre),
están caminando y a punto de pasar debajo de una roca que no parece muy estable.
El padre, sin soltar al niño que lo conduce, le está señalando algo. Por otra parte,
esta roca tiene mucho parecido con la que aparece en
“El Angelus arquitectónico de Millet” (1933), y que representa a una figura femenina.
Cardinal, 1934
Enigmatic Elements in the Landscape, 1934
Figure and Drapery in a Landscape, 1934
The Ghost of Vermeer of Delft Which Can Be Used As a Table, 1934
Hairdresser Depressed by the Persistent Good Weather, 1934
Masochistic Instrument, 1934
*Además de los relojes, Dalí le quitaba la rigidez a muchos objetos.
Lo hacía con frecuencia con instrumentos de cuerdas,
como en este caso con el violín que sostiene la mujer.
Otros elementos como el árbol de ciprés herido,
el estilo de la ventana y el busto de mujer,
pueden ser encontrados en otras obras del pintor.
Meditation on the Harp, 1934
Moment of Transition, 1934
The Signal of Anguish, 1934
Surrealist Poster, 1934
The Weaning of Furniture-Nutrition, 1934
Archaeological Reminiscence of Millet's Angelus, 1935
*Basado en el cuadro “El Angelus” del pintor francés Jean-François Millet (1814 - 1875).
Dalí pensaba que había algo escondido en la tela debido a un sentimiento de angustia presente.
También creía que el tema no era sólo el ánimo reverente de la oración si no que además había una represión de tipo sexual.
En 1963, una radiografía reveló que Millet había pintado entre los campesinos que rezaban, el ataúd de un niño.
Esta parte fue sobre pintada por el artista para hacer más vendible el cuadro.
Periodo Surreal 1935-1940
Paranoiac Visage, 1935
Paranonia, 1936
The Angelus of Gala, 1935
The Horseman of Death, 1935
The Ship, 1935
The Anthropomorphic Cabinet, 1936
The Ants, 1936
Apparition of the Town of Delft, 1936
The Pharmacist of Ampurdan in Search of Absolutely Nothing, 1936
The Dream Places a Hand on a Man's Shoulder, 1936
Geological Justice, 1936
The Great Paranoiac, 1936
Head of a Woman in the Form of a Battle, 1936
The Man with the Head of Blue Hortensias, 1936
Morphological Echo, 1936
Soft Construction with Boiled Beans - Premonition of Civil War, 1936
Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History, 1936
Sun Table, 1936
White Calm, 1936
Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra, 1936
Average Pagan Landscape, 1937
Autumn Cannibalism, 1936
Cannibalism of the Objects, 1937
Sleep, 1937
The Invention of the Monsters, 1937
The Burning Giraffe, 1937
Metamorphosis of Narcissus, 1937
Palladio's Thalia Corridor, 1937
Perspectives, 1937
Swans Reflecting Elephants, 1937
Apparition of Face and Fruit Dish on a Beach, 1938
Enchanted Beach with Three Fluid Graces, 1938
Impressions of Africa, 1938
The Infinite Enigma, 1938
Invisible Afghan with the Apparition on the Beach of the Face of
Garcia Lorca in the Form of a Fruit Dish with Three Figs, 1938
Spain, 1938
The Transparent Simulacrum of the Feigned Image, 1938
Actress Betty Stockfeld Is Metamorphosed into a Nurse, 1939
Baby Map of the World, 1939
Bacchanale, 1939
Ballerina in a Death's-Head, 1939
The Enigma of Hitler, 1939
Freud’s Perverse Polymorph (Bulgarian Child Eating a Rat), 1939
Metamorphosis of the Five Allegories of Giovanni Bellini, 1939
Philosopher Illuminated by the Light of the Moon and the Setting Sun, 1939
Shirley Temple, 1939
Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
Group of Women Imitating the Gestures of a Schooner, 1940
Lady Louis Mountbatten, 1940
Old Age, 1940
Periodo Clasico 1941-1951
Car Clothing, 1941
Costume for a Nude with a Codfish Tail, 1941
Invisible Bust of Voltaire, 1941
Ruin with Head of Medusa and Landscape, 1941
Soft Self-portrait with Grilled Bacon, 1941
The Flames, They Call, 1942
Melancholy, 1942
Saint George and the Dragon, 1942
Composition (Two Harlequins), 1942
Allegory of an American Christmas, 1943
Geopoliticus Child Watching the Birth of the New Man, 1943
The Poetry of America, 1943
Portrait of Ambassador Cardenas, 1943
Portrait of Mrs. Harrison Williams, 1943
Princess Arthchil Gourielli (Helena Rubinstein), 1943
One Second Before Awakening from a Dream Caused by the
Flight of a Bee Around a Pomegranate, 1944
Giant Flying Demi-Tasse with Incomprehensible
Appendage Five Meters Long, 1944
Sentimental Colloquy, 1944
Autumn Sonata, 1945
Basket of Bread, 1945
The Eye, 1945
Fountain of Milk Spreading Itself Uselessly on Three Shoes, 1945
Napoleon's Nose, 1945
Portrait of Mrs. Isabel Styler-Tas, 1945
Resurrection of the Flesh, 1945
Three Apparitions of the Visage of Gala, 1945
Christmas, 1946
Nude in the Desert Landscape, 1946
The Temptation of Saint Anthony, 1946
Battle Over a Dandelion, 1947
Feather Equilibrium (Interatomic Balance of a Swan's Feather), 1947
The Three Sphinxes of Bikini, 1947
Wheat Ear, 1947
The Elephants, 1948
Portrait of Mrs. Mary Sigall, 1948
Leda Atomica, 1949
The Madonna of Port Lligat, 1949
Four Armchairs in the Sky, 1949
Sir James Dunn Seated, 1949
Dalí at the Age of Six, 1950
Dalí's Moustache, 1950
Landscape of Port Lligat, 1950
Landscape of Port Lligat with Homely Angels and Fisherman, 1950
Christ of Saint John of the Cross, 1951
Landscape with Cavalier and Gala, 1951
Portrait of Colonel Jack Warner, 1951
Portrait of Katharina Cornell, 1951
Portrait of Mrs. Jack Warner, 1951
Periodo Clasico 1951-1959
The Queen of the Butterflies, 1951
Raphaelesque Head Exploding, 1951
The Angel of Port Lligat, 1952
Asummpta Corpuscularia Lapislazulina, 1952
Eucharistic Still Life, 1952
Galatea of the Spheres, 1952
Madonna in Particles, 1952
Nuclear Cross, 1952
The Colossus of Rhodes, 1954
Crucifixion, 1954
Dalí Nude, in Contemplation Before the Five Regular Bodies
Metamorphized into Corpuscles, in Which Suddenly Appears the
Leda of Leonardo Chromosomatized by the Visage of Gala, 1954
The Disintegration of Persistence of Memory, 1954
Equestrian Fantasy - Portrait of Lady Dunn, 1954
The Lighthouse at Alexandria, 1954
Portrait of Gala with Rhinocerotic Symptoms, 1954
The Pyramids and the Sphynx of Gizeh, 1954
Soft Watch at the Moment of First Explosion, 1954
Statue of Olympic Zeus, 1954
Two Adolescents, 1954
Young Virgin Auto-Sodomized by Her Own Chastity, 1954
The Lacemaker (imitation of the painting by Vermeer Van Delft), 1955
The Last Supper, 1955
Paranoiac-Critical Study of Vermeer’s ‘Lacemaker’, 1955
Assumpta Canaveral, 1956
Fancy Costumes, 1956
The Infant Jesus, 1956
Living Still Life, 1956
The Motionless Swallow. Study for "Still Life - Fast Moving", 1956
Rhinocerotic Gooseflesh, 1956
The Skull of Zurbarán, 1956
Wine Glass and Boat, 1956
Butterfly Landscape (The Great Masturbator in a
Surrealist Landscape with D.N.A.), 1957
Celestial Ride, 1957
The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera), 1957
The Grand Opera, 1957
Red Orchestra, 1957
Rock 'n Roll, 1957
Sorcery - The Seven Arts, 1957
Dionysus Spitting the Complete Image of Cadaqués on the Tip
of the Tongue of a Three-Storied Gaudinian Woman, 1958
Meditative Rose, 1958
Metamorphosis of Hitler's Face into a Moonlit Landscape with Accompaniment, 1958
Portrait of Chester Dale and His Dog Coco, 1958
Portrait of Sir James Dunn, 1958
Religious Scene in Particles, 1958
The Discovery of America by Christopher Columbus, 1958
The Vase of Cornflowers, 1959
The Virgin of Guadalupe, 1959
Woman Undressing, 1959
Periodo Clasico 1960-1972
Birth of a Divinity, 1960
Birth of a Goddess, 1960
The Ecumenical Council, 1960
Female Seated Nude, 1960
Figure in the Shape of a Cloud, 1960
Gala Nude From Behind Looking in an Invisible Mirror, 1960
Hyperxiological Sky, 1960
Portrait of Mrs. Fagen, 1960
A Propos of the "Treatise on Cubic Form" by Juan de Herrera, 1960
San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin, 1960
The Servant of the Disciples at Emmaus, 1960
Leda's Swan, 1961
Mohammed's Dream, 1961
The Alchemist, 1962
The Sacred Heart of Jesus, 1962
St. George and the Dragon, 1962
Vision of Fatima, 1962
Desoxyribonucleic Acid Arabs, 1963
Fifty Abstract Paintings Which as Seen from Two Yards Change
into Three Lenins Masquerading as Chinese and as
Seen from Six Yards Appear as the Head of a Royal Bengal Tiger, 1963
Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love, 1963
Madonna with a Mystical Rose, 1963
Portrait of My Dead Brother, 1963
Landscape with Flies, 1964
Salvador Dali in the Act of Painting Gala in the Apothesis of the
Dollar, in Which One May Also Perceive to the Left Marcel
Duchamp Disguised as Louis XIV, Behind a Curtain in the Style
of Vermeer, Which is But the Invisible Though Monumental Face
of the Hermes of Praxiteles, 1965
Character Masquerading in Pinning Up a Butterfly, 1965
Portrait of Gala Against the Light, 1965
Laocoon Tormented by Flies, 1965
Portrait of Mrs. Ruth Daponte, 1965
The Railway Station at Perpignan, 1965
The Sun of Dalí, 1965
Moses and the Pharaoh, 1966
The Tunny Catch, 1967
Cosmic Athlete, 1968
Fisherman of Port Lligat Mending His Net, 1968
Mad Mad Mad Minerva, 1968
Tauromachia I - The Torero, the Kill, 1968
Hour of the Monarchy, 1969
The Swimming Pool in Port Lligat, 1969
Toreo Noir, 1969
The Dalinian Senyera, 1970
The Hallucinogenic Toreador, 1970
Portrait of John Theodoracopoulos, 1970
Caligula's Horse (Dalí's Horses), 1971
Ceiling of the Hall of Gala's Chateau at Pubol, 1971
The Second Coming of Christ, 1971
Gala's Dream (Dream of Paradise), 1972
Self-Portrait, 1972
Polyhedron. Basketball Players Being Transformed
into Angels (Assembling a Hologram - the Central Element), 1972
Radiators, Radiator-Covers, 1972
The Sleeping Smoker, 1972
Periodo Clasico 1972-1983
Space Eve, 1972
Gala’s Castle at Pubol, 1973
Hitler Masturbating, 1973
Las Galas of Port Lligat, 1973
Battle in the Clouds, 1974
Equestrian Portrait of Carmen Bordiu-Franco, 1974
Explosion of Faith in a Cathedral, 1974
Ruggiero Freeing Angelica, 1974
Unfinished Stereoscopic Picture, 1974
To Meli, 1974
Wounded Soft Watch, 1974
Gala Contemplating the Mediterranean Sea Which at
Twenty Meters Becomes the Portrait of Abraham
Lincoln - Homage to Rothko, 1976
Aurora's Head, After Michelangelo, 1977
Dalí Lifting the Skin of the Mediterranean Sea to
Show Gala the Birth of Venus, 1977
Fertility, 1977
The Happy Unicorn, 1977
Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light, 1977
Soft Monster in Angelic Landscape, 1977
Surrealist Angel, 1977
Allegory of Spring, 1978
The Harmony of the Spheres, 1978
Pierrot Lunaire, 1978
Woman with Egg and Arrows, 1978
Copy of a Rubens Copy of a Leonardo, 1979
In Search of the Fourth Dimension, 1979
The Prince of Sleep, 1979
Sleeping Young Narcissus, 1980
Amphitrite, 1981
Apparition of the Visage of Aphrodite of Cnide in a Landscape, 1981
Argus, 1981
Gala in a Patio Watching the Sky, Where the
Equestrian Figure of Prince Baltasar Carlos and
Several Constellations (All) Appear, after Velazquez, 1981
The Garden of Hours, 1981
Great Tapeworm Masturbator, Appears Behind Arcades, 1981
Hermes, 1981
Jason Carrying the Golden Fleece, 1981
Mercury and Argos, 1981
The Pearl, 1981
Reading. Family Scene by Lamplight, 1981
Ready-to-wear Fashion for Next Spring:
"Garlands, Nests and Flowers", 1981
The Road of the Enigma, 1981
Spanish Nobleman with a Cross of Brabant on His Jerkin, 1981
The Tower of Enigmas, 1981
Tower, 1981
After Michelangelo's "Moses", on the Tomb of Julius II in Rome, 1982
Architectural Contortion of El Escorial, 1982
Atmospherocephalic Figures, 1982
Exploded Head, 1982
Figure Inspired by the Adam of the Ceiling of the Sistine Chapel, 1982
Figure in the Water - After a Drawing by Michelangelo
for the "Resurrection of Christ", 1982
"Giuliano di Medici" by Michelangelo, Seen from Behind, 1982
Landscape with Hidden Image of Michelangelo's "David", 1982
Pieta, 1982
Mirror Women - Mirror Heads, 1982
Ole, 1982
Othello Dreaming Venice, 1982
Saint Sebastian, 1982
The Three Glorious Enigmas of Gala, 1982
Velazquez and a Figure, 1982
Velazquez Dying Behind the Window on the
Left Side Out of Which a Spoon Projects, 1982
Warrior, 1982
Fuentes:
http://www.salvador-dali.org/dali/es_biografia.html
http://www.virtualdali.com/index.html
http://www.3d-dali.com/dali_pinturas_analisis_interpretacion.htm