jdlamberti
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Registrate y eliminá la publicidad! Muy al estilo de la publicidad Axe, la agencia DDB Brasil preparó una campaña de marketing online para la loción protectora solar Sundown.El resultado fue las chicas oooooouch, un website en el cual se puede encontrar una animación interactiva de 8 chicas tomando el sol, las cuales responden con quejidos ante los clicks del cursor. La combinación de quejidos permite crear melodías, como si se tratase de un sintetizador musical. Tiene opción para grabar las creaciones y mandarlas a los amigos. OUCH!!!http://www.oooooouch.com/
HISTORIAL DE LA BANDA Lenoise es una banda de jovenes integrada por: Nicolas Palacios, Alejandro Ariel De Bortoli, Bruno Nicolas De Bortoli y Francisco Adrian De Bortoli, quien comienza a gestar la idea de formar este proyecto en la primavera del 2002 en Resistencia Chaco. Comienzan a sonar con su sonido brit pop en el verano de 2003 como "CAPICHE LE NOISE" o "¿entendes el ruido?" pero, en tres idiomas diferentes, marcando su estilo desterrado por la influencia de la cultura global. Para luego cambiar el nombre a solo "LENOISE" para que el nombre sea mas corto y facil de recordar. A finales del 2003 la banda comenzo con sus recitales en vivo. En el 2005 graban un EP que seria antecesor de su primer disco "Ambiciones" que se grabaria y editaria en el 2006 para dar lugar a su segundo disco llamado "Vida Ficcion" en donde se incluye el primer corte de la banda "Locura" con un video que fue difundido por la web y canales locales, (podes verlo en youtube o en www.lenoise.com.ar). En el 2007 siguieron con sus recitales en vivo y paralelamente preparando lo que seria su 3º disco que sera presentado a posterior aviso en teatros de la ciudad. En el 2007 siguieron con sus recitales en vivo y paralelamente preparando lo que seria su 3º disco que sera presentado a posterior aviso en teatros de la ciudad. 2004: Se presentan en vivo en diversos lugares, y como soporte de bandas como por ej: Turf, entre otras. 2005: Hacen su presencia en "Electro Park", junto con artistas como Miranda,Diego Ro-k, entre otros. Graban su primer demo "Ambiciones". Logran colocarse entre las 3 bandas ganadoras del concurso regional "chaco a todo rock", entre mas de 60 bandas de todo el nordeste. 2006: Eventos junto con Babasonicos, Intima, Spitfire, Diego ro-k, entre otros. Como siempre, continuan tocando junto a bandas como, Los Tipitos, entre otras. Graban su primer disco "Vida Ficcion", el cual presentan en un teatro con un show multimedia. 2007: En el verano su primer gira por Mar del Plata, presentandose en lugares de las costas del sur, bares de la calle "Alem" y boliches renombrados como Chocolate, Se presentan en Electro Park 07 con Tipitos, Cafres, Latigos, Intima y mas artistas de renombre internacional. 2008:A comienzos del ano vuelven a Mar Del Plata para presentarse en boliches, bares y playas de la ciudad, como: Chocolate, Alem Rock Cafe, Abracadabra Beach. Lenoise se presenta en Zazueira Beach en un recital a aire libre junto a Emanuel Horvilleur. Luego nuevamente intregran el stage de Electro Park junto a Catupecu Machu, Emanuel Horvilleur, Intima, Satellite Kingston, etc. MAS INFO EN: www.lenoise.com.ar Un par de videos: PARTICULAR link: http://www.videos-star.com/watch.php?video=wPhGaMJM6KY LOCURA link: http://www.videos-star.com/watch.php?video=EJRUyNwCH-o Si te gustó, esta noche lo podes escuchar en vivo en las Chatitas, Rcia-Chaco 12:30hs
Letras de Syd como solista ALBUM "Barrett" BABY LEMONADE In the sad town cold iron hands clap the party of clowns outside rain falls in gray far away please, please, Baby Lemonade In the evening sun going down when the earth streams in, in the morning send a cage through the post make your name like a ghost please, please, Baby Lemonade I'm screaming, I met you this way you're nice to me like ice in the clock they sent through a washing machine come around, make it soon, so alone... please, please, Baby Lemonade In the sad town cold iron hands clap the party of clowns outside rain falls in gray far away please, please, Baby Lemonade In the evening sun going down when the earth streams in, in the morning send a cage through the post make your name like a ghost please, please, Baby Lemonade LOVE SONG I knew a girl and I like her still she said she knew she would trust me and I her will... I said: OK baby, tell me what you be and I'll lay my head down and see what I see. By the time she was back by her open eyes I knew that I was in for a big surprise. I knew a girl and I like her still she said she knew she would trust me and I her will... I said: OK baby, tell me what you be and I'll lay my head down and see what I see. By the time she was back by her open eyes I knew that I was in for a bigger surprise. DOMINOES It's an idea, someday in my tears, my dreams don't you want to see her proof? Life that comes of no harm you and I, you and I and dominoes, the day goes by... You and I in place wasting time on dominoes a day so dark, so warm life that comes of no harm you and I and dominoes, time goes by... Fireworks and heat, someday hold a shell, a stick or play overheard a lark today losing when my mind's astray don't you want to know with your pretty hair stretch out your hand, glad feel, in an echo for your way. It's an idea, someday in my tears, my dreams don't you want to see her proof? Life that comes of no harm you and I, you and I and dominoes, the day goes by... IT IS OBVIOUS It is obvious may I say, oh baby, that it is found on another plane? Yes I can creep into cupboards, sleep in the hall your stars - my stars, a simple cot bars only an impulse - pie in the sky mumble listen dolly drift over your mind - holly creep into bed when your head's on the ground she held the torch on the porch, she winked an eye Reason it is written on the brambles stranded on the spikes - my blood red, oh listen: remember those times I could call through the clear day time you'd be there... 'nd braver and braver, a handkerchief waver the louder you lips to a loud hailer growing together, they good of each either no wondering, stumbling, fumbling rumbling minds shot together, our minds shot together... So equally over a valley, a hill wood on quarry stood, each of us crying a velvet curtain of gray mark the blanket where the sparrows play and the trees by the waving corn stranded my legs move the last empty inches to you the softness, the warmth from the weather in suspense mote to a grog - the star a white chalk minds shot together, our minds shot together... RATS Got it hit down spot knock inside a spider says: "That's love yeah, yeah, yeah, yeah!" "That's love yeah, yeah, yeah, yeah!" says: "That's love - All know it TV, teeth, feet, peace, feel it... "That's love yeah, yeah, yeah, yeah!" "That's love yeah, yeah, yeah, yeah!" like the fall that brings me to I like the fall that brings me to I like the cord around sinew I make a cord around sinew Duck, the way to least is less The deep craving of the metal west 'ell tomorrow's rain and test 'ell tomorrow's rain and test Love an empty sun and guess Love an empty sun and guess dimples dangerous and blessed Heaving, arriving, tinkling mingling jets and statuettes seething wet we meeting fleck seething wet we meeting fleck lines and winds and crib and half each fair day I give you half of each fair day I give you half I look into your eyes and you, flathe in the sun for you... Bam, spastic, tactile engine heaving, crackle, slinky, dormy, roofy, wham I'll have them, fried bloke broken jardy, cardy, smoocho, moocho, paki, pufftle sploshette moxy, very smelly, cable, gable, splintra, channel top the seam he's taken off rats, rats lay down flat we don't need you, we act like that and if you think you're un-loved then we know about that... rats, rats, lay down flat! yes, yes, yes, yes, lay down flat! MASIE Maisie, Maisie, Maisie, Maisie... Maisie, lay in hall with diamond and emeralds Maisie, Maisie bad luck, bride of a bull strode out to meet Maisie in the evening light his illuminous grin put her in a spin Maisie, lay in the hall with diamonds and emeralds Maisie, Maisie... bad luck - the bride of a bull strode out to meet Maisie in the evening light... [ Maisie lay in the wall with her emeralds and diamond brooch, beyond reproach bad luck - bride of a bull strode out to meet Maisie in the evening light... Maisie! ] GIGOLO AUNT Grooving around in a trench coat with the satin on trail Seems to be all around its tin and lead pail, we pale Jiving on down to the beach to see the blue and the gray seems to be all and it's rosy-it's a beautiful day! Will you please keep on the track 'cause I almost want you back 'cause I know what you are you are a gigolo aunt, you're a gigolo aunt! Yes I know what you are you are a gigolo aunt, you're a gigolo aunt! Heading on down with the light, the dust in your way she was angrier there, than her watershell male life to this love to me - heading me down to me thunderbird shale seems to be all and it's rosy - it's a beautiful day! will you please keep on the track 'cause I almost want you back 'cause I know what you are you are a gigolo aunt, you are a gigolo aunt Yes I know what you are you are a gigolo aunt, you're a gigolo aunt! Grooving on down in a knapsack su-perlative day some wish she move and change as she kind move jiving away she made the scene should have been su-perlative day everything's all and it's rosy, it's a beautiful day will you please keep on the track 'cause I almost want you back 'cause I know what you are you are a gigolo aunt, you are a gigolo aunt Yes I know what you are you are a gigolo aunt, you're a gigolo aunt! WAVING MY ARMS IN THE AIR/ NEVER LIED TO YOU (continuous) Waving my arms in the air love, my love, got no care no care, no, no, pressing my feet to the ground stand up right where you stand call to you and what do you do laying back in a chair? she's so high on the air she's so high on the air half and half, half and half all you have to do to call is hold her hand, stand a while and then smile and we'll understand yes we do - yes, yes we do! Oh what a girl I got too! Oh what a girl I got too! with her slinky look she held her tie to her hair (and I) could see everywhere no-one in the land, no-one no-one in the land, no-one but it rains on Saturday - cats and dogs in the hay stormy day, hey, hey and you shouldn't try to be what you can't be and you shouldn't try to be what you can't be call to you and what do you do There will be shoulders pressing in the hall and I won't know if you're here at all there will be wine and drinking in the yard there won't be anybody very hard there will be lots of things that we can do and all and more will be for you everything I knew I tried with you but everything to you was never easy so I went ahead around my world I saw the things you do arriving by your side to see you looking too but I know this. I know, I never lied to you it's been just like you're gone for just one day for so long! It's been so hard to bear with you not there but though I think of you, the things you do when I'm with you, to be with you, to be alone...can only think: "Why I am here? What's meant to be?" WINED AND DINED Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen only last summer, it's not so long ago... just last summer, now musk winds blow... Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen Chalk underfoot, life I should prove dancing in heat, our love and you... Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen WOLFPACK Howling the pack in formation appears diamonds and clubs, light misted fog, the dead waving us back in formation, the pack in formation bowling they bat as a group and the leader is seen - so early... the pack on their backs, the fighters through misty the waving - the pack in formation far reaching waves on sight, shone right I lay as if in surround... all enmeshing, hovering... the milder I gaze all the animals laying trail beyond the bough winds mild the reflecting electricity eyes... tears, the life that was ours grows sharper and stronger away and beyond short wheeling - fresh spring gripped with blanched bones - moaned magnesium, proverbs and sobs... howling the pack in formation appears diamonds and clubs, light misted fog, the dead waving us back in formation, the pack in formation... EFFERVESCING ELEPHANT An Effervescing Elephant with tiny eyes and great big trunk once whispered to the tiny ear the ear of one inferior that by next June he'd die, oh yeah! because the tiger would roam. The little one said: "Oh my goodness I must stay at home! and every time I hear a growl I'll know the tiger's on the prowl and I'll be really safe, you know the elephant he told me so." Everyone was nervy, oh yeah! and the message was spread to zebra, mongoose, and the dirty hippopotamus who wallowed in the mud and chewed his spicy hippo-plankton food and tended to ignore the word preferring to survey a herd of stupid water bison, oh yeah! And all the jungle took fright, and ran around for all the day and the night but all in vain, because, you see, the tiger came and said: "Who me?! You know, I wouldn't hurt not one of you. I'd much prefer something to chew and you're all too scant." oh yeah! He ate the Elephant ALBUM "The Madcap Laughs" TERRAPIN I really love you and I mean you the star above you, crystal blue Well, oh baby, my hairs on end about you... I wouldn't see you and I love to I fly above you, yes I do well, oh baby, my hairs on end about you... Floating, bumping, noses dodge a tooth the fins a luminous fangs all 'round the clown is dark below the boulders hiding all the sunlight's good for us 'Cause we're the fishes and all we do the move about is all we do well, oh baby, my hairs on end about you... Floating, bumping, noses dodge a tooth the fins a luminous fangs all 'round the clown is dark below the boulders hiding all the sunlight's good for us 'Cause we're the fishes and all we do the move about is all we do well, oh baby, my hairs on end about you... I really love you and I mean you the star above you, crystal blue Well, oh baby, my hairs on end about you... NO GOOD TRYING It's no good trying to place your hand where I can't see because I understand that you're different from me yes I can tell that you can't be what you pretend and you're rocking me backwards and you're rocking towards the red and yellow mane of a stallion horse. It's no good trying to hold your love where I can't see because I understand that you're different from me yes I can tell that you can't be what you pretend the caterpillar hood won't cover the head and you know you should be home in bed. It's no good holding your sequined fan where I can't see because I understand that you're different from me yes I can tell that you can't be what you pretend yes you're spinning around and around in a car with electric lights flashing very fast... LOVE YOU Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Oh, you dig it, had to smile just an hour or so (are) we in love like I think we be? It Ain't a long rhyme. It took ages to think I think I'll hurl it in the water, baby... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Flaking you are a nice little one to put it all around, its just good I like it, hey hey hey S'pose some time that day? whoopie! swing it along over across to me Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Goodtime rocker woman we'll stray our pieces little creepy we shine so sleepy, so whoopee! That's how you look... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening NO MAN'S LAND You would hold your head up high you even try you would hold another hand: oh understand! They even see me under call we under all, we all follow foot crawl to hear my hour come see me cry... Just searching you even try I can make you smile if it's there will you go there too? When I live I die! They even see me under call we under all, we all follow foot crawl because of you, to see me be. DARK GLOBE Oh where are you now pussy willow that smiled on this leaf? When I was alone you promised the stone from your heart my head kissed the ground I was half the way down, treading the sand please, please, lift a hand I'm only a person whose arm bands beats on his hands, hang tall won't you miss me? Wouldn't you miss me at all? The poppy birds way swing twigs coffee brands around, brandish her wand with a feathery tongue my head kissed the ground I was half the way down, treading the sand please, please, please lift the hand I'm only a person with Eskimo chain I tattooed my brain all the way... Won't you miss me? Wouldn't you miss me at all? HERE I GO This is a story 'bout a girl that I knew she didn't like my songs and that made me feel blue she said: "a big band is far better than you"... She don't rock 'n' roll, she don't like it she don't do the stroll, well she don't do it right well, ev'rythings wrong and my patience was gone when I woke one morning and remembered this song O-oh-oh, kinda catchy, I hoped that she would talk to me now and even allow me to hold her hand and forget that old band. I strolled around to her pad her light was off and that's bad her sister said that my girl was gone "But come inside, boy, and play, play, play me a song!" I said "Yeah! Here I go" She's kinda cute; don't you know, That after a while of seeing her smile I knew we could make it, a-make it in style!? So now I've got all I need She and I are in love, we've agreed she likes this song and my others too so now you see my world is... 'Cuz of this tune! What a boon this tune! I tell you soon We'll be lying in bed, happily wed, and I won't think of that girl or what she said... OCTOPUS Trip to heave and ho, up down, to and fro' you have no word trip, trip to a dream dragon hide your wings in a ghost tower sails cackling at every plate we break cracked by scattered needles the little minute gong coughs and clears his throat madam you see before you stand hey ho, never be still the old original favorite grand grasshoppers green Herbarian band and the tune they play is "In Us Confide" so trip to heave and ho, up down, to and fro' you have no word Please leave us here close our eyes to the octopus ride! Isn't it good to be lost in the wood isn't it bad so quiet there, in the wood meant even less to me than I thought with a honey plough of yellow prickly seeds clover honey pots and mystic shining feed... well, the madcap laughed at the man on the border hey ho, huff the Talbot "Cheat" he cried shouting kangaroo it's true in their tree they cried Please leave us here close our eyes to the octopus ride! Please leave us here close our eyes to the octopus ride! The madcap laughed at the man on the border hey ho, huff the Talbot the winds they blew and the leaves did wag they'll never put me in their bag the seas will reach and always seep so high you go, so low you creep the wind it blows in tropical heat the drones they throng on mossy seats the squeaking door will always squeak two up, two down we'll never- limit so merrily trip forgo my side Please leave us here close our eyes to the octopus ride! GOLDEN HAIR Lean out your window, golden hair I heard you singing in the midnight air my book is closed, I read no more watching the fire dance, on the floor I've left my book, I've left my room For I heard you singing through the gloom singing and singing, a merry air lean out the window, golden hair... LONG GONE She was long gone, long, long gone she was gone, gone, the bigger they come the larger her hand 'till no one understands why for so long she'd been gone. And I stood very still by the window sill and I wondered for those I love still I cried in my mind where I stand behind the beauty of love's in her eyes... She was long gone, long, long gone she was gone, gone, the bigger they come the larger her hand 'till no one understands why for so long she'd been gone. And I borrowed the page from a leopard's cage and I prowled in the evening sun's glaze her head lifted high to the light in the sky the opening dawn on her face... She was long gone long, long gone she was gone, gone, the bigger they come the larger her hand 'till no one understands why for so long she'd been gone. And I stood very still by the window sill and I wondered for those I love still I cried in my mind where I stand behind the beauty of love's in her eyes... She was long gone long, long gone. SHE TOOK A LONG COLD LOOK She took a long cold look at me and smiled and gazed all over my arm she loves to see me get down to ground she hasn't time just to be with me her face between all she means to be to be extreme, just to be extreme a broken pier on the wavy sea she wonders why for all she wants to see... But I got up and I stomped around and hid the piece where the trees touch the ground... The end of truth that lay out the time spent lazing here on a painting dream a mile or more in a foreign clime to see farther inside of me. And looking high up into the sky I breathe as the water streams over me... FEEL You feel me away far too empty, oh so alone! I want to go home Oh find me inside of a nocturne - the blonde how I love you to be by my side they wail... the crowd on her side she straggled the bridge by the water... She misses her crawl far ley grew heady aside in a dell inside an eye be the lonely one, my bride how I leave on the waddling wheel they flail... a gasp shringing a bad bell's ringing the angel - the daughter... You feel me away far too empty, oh so alone! I want to go home Oh find me inside of a nocturne - the blonde how I love you to be by my side they wail... the crowd on her side she straggled the bridge by the water. IF IT'S IN YOU Yes I'm thi-i-*i*-i-i-i-i-inking of this, yes I am puddle town, Tom was the underground hold you ti-*i*-i-i-i-i-i-ighter so close, yes you are please hold on to the steel rail colonel with gloves strauss leeches he isn't loved on 'Sundays Mail' all the fives crock Henrietta she's mean go-getter gotta write her a letter. Did I w-i-i-i-*i*-ink of this, I am yum, yummy, yum, don't, yummy, yum, yom, yom... Yes, I'm thi-i-*i*-i-i-i-inking of this, in steam skeleton kissed to the steel rail fleas in Pamela strauss leeches chugging along with a funnel of steam all the fives crock Henrietta she's mean go-getter gotta write her a letter... LATE NIGHT When I woke up today and you weren't there to play then I wanted to be with you when you showed me your eyes whispered love at the skies then I wanted to stay with you inside me I feel alone and unreal and the way you kiss will always be a very special thing to me... When I lay still at night seeing stars high and light then I wanted to be with you when the rooftops shone dark all alone (I) saw a spark spark of love just to stay with you inside me I feel alone and unreal and the way you kiss will always be a very special thing to me... If I mention your name turn around on a chain then the sky opens out for you when we grew very tall when I saw you so small then I wanted to stay with you inside me I feel alone and unreal and the way you kiss will always be a very special thing to me... ALBUM "Opel" OPEL On a distant shore, miles from land stands the ebony totem in ebony sand a dream in a mist of gray... on a far distant shore... The pebble that stood alone and driftwood lies half buried warm shallow waters sweep shells so the cockles shine... A bare winding carcass, stark shimmers as flies scoop up meat, an empty way... dry tears... crisp flax squeaks tall reeds make a circle of gray in a summer way, around man stood on ground... I'm trying I'm trying to find you! To find you I'm living, I'm giving, To find you, To find you, I'm living, I'm living, I'm trying, I'm giving CLOWNS AND JUGGLERS Trip to heave and ho, up down, to and fro' you have no word trip, trip to a dream dragon hide your wings in a ghost tower sails cackling at every plate we break was cracked by scattered needles the little minute gong coughs and clears his throat madam you see before you stand hey ho, never be still the old original favorite grand grasshoppers green Herbarian band and the tune they play is "In Us Confide" so trip to heave and ho, up down, to and fro' you have no word Please leave us here close our eyes to the octopus ride! Isn't it good to be lost in the wood isn't it bad so quiet there, in the wood meant even less to me than I thought with a honey plough of yellow prickly seeds clover honey pots and mystic shining feed... the madcap laughed at the man on the border hey ho, huff the Talbot the winds they blew and the leaves did wag they'll never put me in their bag the raging seas will always seep so high you go, so low you creep the wind it blows in tropical heat the drones they throng on mossy seats the squeaking door will always squeak two up, two down we'll never meet Please leave us here close our eyes to the octopus ride! Sit up, touching hips to a madcap galloping chase "Cheat" he cried shouting kangaroo it's true in their tree they cried Please leave us here close our eyes to the octopus ride! The madcap laughed at the man on the border hey ho, huff the Talbot RATS (ver en disco "Barrett" GOLDEN HAIR (ver en disco "The Madcap Laughs" DOLLY ROCKER I know a sweet girl she done went out and paid for me done a sweet girl after five we went for tea She seen a Dolly Rocker She wan' a girl, she got her I wanna see her, I know I do I love you darling, all for you. You wan' a meet Pearl? she's as cute as a squirrel's nut. She done seen me said she thought she got the lot. She's a Dolly Rocker wan' a wait 'till I got her said she knew I know we know I do said she gotta see me lonely with you. Oceans may travel, away so long senses in the gravel, to see yourself at home nice to be at home all I'll ever be forever all my life, you see, when you got her all I know, you know, I show you, baby through your head push to you, baby It's a Dolly Rocker. She know what she got her She seen a Dolly Rocker She seen a Dolly Rocker Mmmm-mm-mm UNTITLED WORDS (We're running) Stained, glaucous, glycerine, gold, goat, plover gold, local stocks, type, food, wild, national, lake, flag, valve, gyroscope, sect heat, helium, leg, fair, state, invention, medieval refraction, faction, alter-action, hunter, interest, bullock, market... Loads, liquids, neon, eaters, jaws, jungle main, signal, knives, kitchen ingot, lovey, mirror, mold Myacene, moat, poppy, rubber, radar, rags, sugar, teak silver, pug, tin, beetroot, carrot, ebony, fruit, copper, silk... Car, distant, pigmy, hid, pack, timber, pudding, straw raindrops, pattering, ramps chameleon, prairie, pods, trigger museum, scales, square, ultra, pot of, map, vent volcano, vain, wreck, tactic tidal, arches, valley, hand inflect, impression, loom, last, molten you gamma, meeting lighting, signal, Ireland, coral, cold WINED AND DINED (verl album "Barrett" SWAN LEE (SILAS LANG) Swan Lee got up at the Running Foot pow-wow, pleaded from the fire to his waiting canoe. Chattering Squaw untied the wigwam door, the chief blew smoke rings two by two! The land in silence stands... Swan Lee, his boat by the bank in the darkness, loosened the rope in the creek is entwined. A feather from the wing of a wild young eagle, pointed to the land where his fortune he'd find The land in silence stands Swan Lee paddled on from the land of his fathers, his eyes scanned the undergrowth on either side. From the shore hung a hot, heavy, creature infested tropic, Swan Lee had a bow by his side The land in silence stands Swan Lee kept time, half on land, half on water, Grizzly bear and raccoon his fare. He followed his ears to the great water fall, Swan Lee knew deep down that his squaw was there! The land in silence stands.... Suddenly the rush of the mighty great thunder, confronted Swan Lee as his song he sang, In the dawn, with his squaw, he was battling homewards It was all written down by Long Silas Lang. The land in silence stands... The land in silence stands... The land in silence stands. BIRDIE HOP Birdie Hop - he do, he hop along a lonely bird upon a window there he, he, there he blow a windy snow, he knew the snow, I know the snow, a hoppy bird The antelope ride around the parasol just to see if he's a man enough to meet you in the sandpit on a flying kind of sighing in a meddlesome day you know the way - I see the flies she's a little kite the sort you think you might like to fire and like a kite you get to see her every night, you know the way she's only paving her way - hectochrome plane - I see the flies. Birdie Hop - he do, he hop along a lonely bird upon a window there he, he, there he blow the windy snow, he know the snow, a hoppy bird. A camel woke up to a polish dawn wouldn't look to see his feet had gone he wouldn't like it wouldn't have the strength to fight it, I see the flies I'm the only bird, a little third, I lost a quarter had a yearning to be earning just a dollar a day an' in a way you shouldn't like it, hectochrome plane I see the flies. LET'S SPLIT Everything about, about to go out, me out, you out, yes and everything is out about, out... out, out, out, out, out, out, Let's split! I'm telling you this is it! Everything is down, in hound, hound, hound back down, down, down even everything is down abound in down, down, down, down, down, down Let's split! Tellin' you this is it! Nobody is right tonight, night, height, night, tight, it isn't right Me out, you out And everything is out out, out, out, out, out, out Let's split! <Hold it, can you?> <That's all - cheers> WOULDN'T YOU MISS ME (DARK GLOBE) (ver "The Madcap Laughs" MILKY WAY What'd you ever say today when you're in the milky way oh tell me please just to give you a squeeze if I met you - I told you what to do seems a while since I could smile the way you do... how many times, if I try, if I may, when you're in the milky way half of your time -beside me only atmosphere the singular, raised by heats and wet Seems a while since I could smile the way you do... oh-OH! What can anyone mean to you standing in the milky way? take life easy I mean so easy Why so empty...? I told you - I can tell you what to do - when I hold you and I tell you "I love you" I feel that I'm... way you do... Give a grasp of life today when you're in the milky way oh, try to please! Knock on wood of the trees glad you, mold you, mold you and hold you means five miles and everyway for you...

Hoy a las 18:30 aproximadamente van a ver a los aeroamigos sobre la ciudad, la idea es salir desde el parque 2 de Febrero y sobrevolar hasta la Av. Sarmiento, saquen fotos si los ven!!
Estas imágenes chocantes nos muestran el costo humano en los Estados Unidos de la bárbara e insensata ocupación militar de Irak. No nos imaginemos en comparación con el horror y sufrimiento que debe estar padeciendo el pueblo iraquí. Al ver las terribles fotos de los soldados norteamericanos mutilados, que gozan de una enorme superioridad militar, nos deja perplejos de la matanza que debe estar cometiéndose cada día en ese país. Reportaje fotográfico actualizado. El conocido actor cinematográfico norteamericano Denzel Washington se queda «pasmado» (ver expresión de su rostro) cuando se le presenta una mujer soldado gravemente quemada en Irak durante la visita que realizaba el célebre actor al hospital militar Brook Army Medical Center (BAMC) en San Antonio, Texas, EEUU, para apoyar a los soldados estadounidenses mutilados por la actual invasión de Irak. La visita del actor [y fotos] tuvo lugar a mediados de diciembre del año 2004. Sin embargo el sitio web (ver link clicar aquí)http://www.phancypages.com/newsletter/ZNewsletter2820.htm que promociona la visita del actor no muestra ninguna imagen chocante que pueda afectar a la opinión pública de los horrores de esta aventura militar. James Houston un veterano de Pearl Harbor abraza con llanto y emoción al sargento Mark Graunke Jr. durante la celebración del Día del Veterano de guerra en la ciudad de Dallas, noviembre 2004. El sargento marine Graunke perdió la mano y un ojo por la explosión de una bomba en Irak. AP Photo/The Dallas Morning News, Jim Mahoney Cual debe ser el sentimiento de estos jóvenes militares mutilados que creyeron en un principio en las mentiras de su presidente [George W. Bush] que afirmaba que habían armas de destrucción masiva en Irak, las cuales nunca fueron encontradas. Posteriormente los inspectores de la ONU aseguraron que nunca existieron como lo habían dicho y confirmado varias veces antes de que los EEUU atacasen a Irak. Saber que esta guerra no es más que una guerra por el petróleo. En Irak, la resistencia nacional iraquí se ha organizado en el país para recuperar la independencia, la soberanía y sobre todo defenderse de las matanzas masivas y sin distinción de las tropas norteamericanas. En EEUU igualmente los movimientos pacifistas son cada día más numerosos. Recordemos que esta guerra neocolonial fue declarada ilegal e injustificada por las Naciones Unidas El soldado Brad Kennedy ordenando su material ortopédico, 25 de agosto 2004. AP Photo/The Clarion-Ledger, J.D. Schwalm. El soldado James E. Wright (izquierda) saluda los restos del presidente Ronald Reagan durante los funerales de ex presidente, 10 de junio 2004. Wright perdió su mano en la guerra de Irak. El oficial de la derecha no fue identificado. Fuente Associated Press via Cryptome. El soldado Robert Jackson perdió sus dos piernas en Irak. El marine George Pérez, paracaidista de la brigada 504 de infanteria. Foto Stephanie Bruce, fuente Associated Press via Cryptome. El soldado George Pérez escuchando los consejos de su doctor fisioterapista durante una sesión de rehabilitación en el centro médico Walter Redd en Washington. Al soldado Pérez se le amputó su pierna izquierda luego que su jeep Humvee explosionó en una ruta a consecuencia de una bomba escondida en Irak, en septiembre 2003. Foto The News & Observer / Chuck Liddy. El mismo soldado George Pérez haciendose tocar «la pierna» por un niño. Foto The News & Observer / Chuck Liddy. El presidente George W. Bush saludando al soldado Jaime Brown durante la visita presidencial al centro médico Walter Redd en Washington. Jaime Brown fue herido en Irak. Foto Eric Draper / White House. Presidente George W. Bush visitando a un amputado en el hospital militar. ¿Cuántos mutilados hay en los Estados Unidos a consecuencia de la invasión de Irak? era la pregunta que lanzaba una publicación web en los EEUU mostrando la imagen de un soldado con un brazo ortopédico no identificado. Foto WIA. George W. Bush y un soldado Soldado que ha perdido una mano en casa con su compañera. Ryan Kelly de 24 años perdió su pierna en una explosión en Irak. Fuente Star Telegram. El Secretario de la Defensa de los Estados Unidos, Donald Rumsfeld conversando con el sargento Heath Calhoun quien perdió sus piernas en Irak. Foto Donna Miles, Defense Dept. El sargento Michael McNaughton soldado que perdió su pierna en Irak tiene el honor de poder correr con el presidente George W. Bush, 14 de abril de 2004. Pintura llamada "War President" que representa el rostro del presidente estadounidense George W. Bush, retrato realizado con las fotos de los militares norteamericanos muertos en Irak. Obra del artista Joe Wezorek. Fuente: http://www.voltairenet.org/article136827.html No recomiendo la fuente, tiene imagenes más fuertes que no valen la pena ver, ya con estas basta.
Enjambres robóticos trabajando como un solo ser artificial Olvídate de las nociones convencionales de androides con aspecto humano; en lo que trabajan los investigadores es en enjambres de hasta 10.000 robots miniatura que puedan trabajar juntos como una sola forma de vida artificial. El enjambre robótico es un campo de estudio basado en la suposición de que robots simples e individuales pueden interactuar y colaborar para formar un único organismo artificial que cuente con una mayor y más avanzada inteligencia de grupo. Como parte de una colaboración internacional llamada proyecto “organismos robot evolucionados en simbiosis” o “Symbrion” para abreviar, investigadores de la Universidad de York se encuentran desarrollando un sistema inmunológico artificial que pueda proteger tanto a los robots individuales que forman parte del enjambre, como al organismo más grande que los acoge. Los investigadores esperan que el sistema inmunológica artificial sea capaz de detectar problemas y hacer recomendaciones a un sistema de control de más alto nivel, para que este ejecute acciones correctivas - un poco al estilo del modo de funcionamiento del sistema inmunológico adaptativo de las personas cuando actúan protegiendo la salud del cuerpo. En caso de que se detectase algún fallo, los robots individuales serían capaces de compartir la información unos con otros dentro del enjambre. Luego el enjambre, como un todo, sería capaz de evolucionar en presencia de nuevos problemas, justo como el sistema inmunológico natural, que es capaz de enfrentarse a patógenos poco familiares. El enfoque multi-robótico de aproximación a la inteligencia artificial es relativamente nuevo, y se ha desarrollado a partir de estudios del comportamiento de enjambres de insectos tales como las hormigas. Finalmente, los enjambres robóticos podrían aplicarse a tareas del mundo-real tales como rescatar a víctimas de terremoto, según informa el líder del equipo de investigadores de la Universidad de Nueva York, Jon Timmis (del grupo de sistemas inteligentes del departamento de electrónica). “Esta es un área de investigación cuya importancia va aumentando progresivamente”, comentó Timmis. “Podríamos llegar a ser capaces de usar el poder de colaboración de múltiples robots en situaciones donde la intervención humana no fuera posible”. “Por ejemplo, se podría soltar a un enjambre de Symbriones en un edificio colapsado por el efecto de un terremoto, y entonces se organizarían en equipos para levantar escombros o para buscar a los supervivientes”. “Claramente, habrá de pasar mucho tiempo antes de que puedan realizarse todas estas cosas, pero el trabajo que hacemos en este proyecto nos permitirá comenzar la construcción de los robots del futuro”, concluyó Timmis. Fuente: itnews.com (Liz Tay)
El notable cirujano argentino Pedro Domingo Curutchet escribió a Le Corbusier en 1948 solicitándole el diseño de su casa. Curutchet nunca conoció a Le Corbusier ni este último visitó el terreno, pero el médico mantenía una "compartida afinidad" con el arquitecto, a quien consideraba un intelectual innovador. Escultura en el interior de la casa. Foto P. Yarleque El programa de la casa incluía un consultorio, una vivienda para el doctor, su mujer y sus dos hijas, habitación para huéspedes y servicios. Para la construcción de la casa (1949-53) fue importante la participación del reconocido arquitecto argentino Amancio Williams, quien no sólo propuso modificaciones al proyecto de la casa (que Le Corbusier aceptó) si no que tuvo a su cargo la dirección y ejecución de las obras. Luego del deceso del doctor, las hijas entregaron la casa en custodia al Colegio de Arquitectos de La Plata. Le Corbusier con la mqueta de la Casa Curutchet. Foto P. Yarleque DISTRIBUCIÓN DE LA CASA La edilicia se organiza basándose en un espacio central en el que destaca la presencia de un árbol que sirve como límite virtual entre la zona pública y la privada de la casa, diferenciándose dos volúmenes que permiten que la función se distribuya en forma clara y los espacios se organicen bajo características particulares. El árbol se integra a la arquitectura y a la vez divide la zona pública de la privada. Foto P. Yarleque Primer nivel El visitante es recibido por un pequeño pórtico que, además de marcar simbólicamente el ingreso a la vivienda, ofrece una escala humana adecuada para el recibo. El espacio interior es separado de la calle por una tenue frontera dibujada por una fina valla metálica. Además del ingreso peatonal se encuentra el acceso vehicular. La primera planta es un bosque de columnas, las cuales se organizan en trama, independientemente de los muros, y permiten el ingreso de luz a la vez que dan una sensación de amplitud al espacio. En la parte posterior se hallan los servicios. Del primer nivel nace la rampa cuyo primer descanso entrega al inicio de las escaleras (encerradas en una caja de vidrio). Entrepiso La rampa (que es una circulación independiente de las escaleras que conducen a la vivienda) conduce al entrepiso, en el que se halla el consultorio. Este consta básicamente de una zona de espera y consulta (que es la que tiene mejores visuales). La zona de internación, ubicada en la parte posterior de la consulta, cuenta con servicios higiénicos independientes. La rampa conduce al consultorio. Foto P. Yarleque Segunda Planta Corresponde al área social de la vivienda, desde la que se accede a un amplia terraza que se extiende en todo el ancho del lote y que goza de generosas visuales hacia el parque. Para evitar demasiada incidencia solar sobre la terraza, que en verano la haría insufrible, Le Corbusier planteó el uso de un parasol y bris soleil, los que aunados al árbol, proveen de sombra al espacio. Integrados a la terraza están el estar a doble altura y el comedor. La funcionalidad de la cocina, provista de una entrada de servicio, es sorprendente para la época en la que fue diseñada. Tercera Planta Consta de dos dosmitorios, cada uno con su baño, el primero para el doctor y su esposa y el otro para sus hijas. Frente al dormitorio principal hay un escritorio espacialmente integrado a la doble altura del estar. Desde el dormitorio de las hijas es posible utilizar un sistema de persianas de madera que controla el ingreso de la luz y la privacidad del recinto. Un análisis en corte permite apreciar las ricas relaciones visuales y espaciales de la vivienda, la forma cómo se modela el espacio y el uso de la transparencia para lograr maximizar la sensación de amplitud en un lote pequeño. Le Corbusier ha tenido enorme influencia en el quehacer arquitectónico del siglo XX . Discípulos notables que trabajaron con él han sido Óscar Niemeyer y Mario Botta, y sus ideas han ejercido importante influencia en la obra de Richard Meier y Tadao Ando. De hecho, muchos aspectos del léxico corbuseriano siguen vigentes y es un maestro del que seguimos aprendiendo hoy. Fuente: http://moleskinearquitectonico.blogspot.com
